Home  ›  Here We Grow Again Eau Claire

Here We Grow Again Eau Claire

Written By Wednesday, March 16, 2022 Add Comment Edit

1967 song by Ray Charles

"Here We Go Again"
Black 45 record label with the ABC logo on top and the song "Here We Go Again", singer Ray Charles and other detail

"Here We Go Once again" 7-inch unmarried cover art
Unmarried by Ray Charles
from the album Ray Charles Invites You to Listen
B-side "Somebody Ought to Write a Book About Information technology"
Released 1967
Recorded RPM International Studio (Los Angeles)
Genre Rhythm and blues
Length 3:xviii
Label ABC Records/Tangerine Records
Songwriter(due south) Don Lanier, Red Steagall
Producer(due south) Joe Adams
Ray Charles singles chronology
"Delight Say Yous're Fooling"
(1966) 		"Here We Get Again"
(1967) 		"In the Estrus of the Nighttime"
(1967)

"Here Nosotros Go Over again" is a country music standard written past Don Lanier and Red Steagall that beginning became notable as a rhythm and blues unmarried by Ray Charles from his 1967 anthology Ray Charles Invites Yous to Listen. It was record producer by Joe Adams for ABC Records/Tangerine Records. To appointment, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.

The most notable cover version is a duet past Charles and Norah Jones, which appeared on the 2004 album Genius Loves Company. This version has been the biggest critical success. Later on Genius Loves Company was released, "Here We Get Over again" earned Grammy Awards for Record of the Year and Best Pop Collaboration at the 47th Grammy Awards in February 2005, posthumously for Charles, who died before the album'due south release. Another notable version by Nancy Sinatra charted for five weeks in 1969. Johnny Duncan charted the song on Billboard 's Hot Country Songs chart for five weeks in 1972, while Roy Clark did so for vii weeks in 1982.

The song has been covered in a wide variety of musical genres. In total, five different versions have been listed on the music charts. Although its 2 nigh successful versions have been rhythm and blues recordings, many of its other notable covers were featured on country music albums. "Here Nosotros Become Again" was commencement covered in an instrumental jazz format, and many of the more contempo covers have been sung as duets, such every bit one with Willie Nelson and Norah Jones with Wynton Marsalis accompanying. The song was released on their 2011 tribute album Hither Nosotros Go Again: Celebrating the Genius of Ray Charles. The song lent its proper noun to Ruby Steagall's 2007 album as well. Cover versions accept appeared on compilation albums past a number of artists, fifty-fifty some who did non release "Here Nosotros Go Again" equally a unmarried.

Original version [edit]

In November 1959, afterward twelve years equally a professional musician, Ray Charles signed with ABC Records, following the expiration of his Atlantic Records contract.[1] According to Will Friedwald in A Biographical Guide to the Corking Jazz and Popular Singers, "His first four ABC albums were all primarily devoted to standards..."[2] In the 1960s, he experienced crossover success with both rhythm and dejection and country music. Because Charles was signed to ABC every bit a rhythm and dejection singer, he decided to expect until his contract was upward for its iii-year renewal before experimenting with country music, although he wanted to do so sooner. With the help of ABC executive Sid Feller, he gathered a set up of state songs to record, despite the wishes of ABC.[3] The release of his 1962 state albums Mod Sounds in Country and Western Music and its follow-upwardly Modern Sounds in State and Western Music, Vol. 2 broadened the entreatment of his music to the mainstream. At this point, Charles began to appeal more to a white audience.[four] In 1962 he founded his own record characterization, Tangerine Records, which ABC-Paramount promoted and distributed.[5] [6]

"Here We Go Again" was recorded during a phase in Charles' career when he was focused on performing country music.[7] Thus, "Here We Go Again" was a country music song released past the Tangerine label ABC-Paramount, but performed in Charles' rhythm and blues style. All the same, his works did not carry the Tangerine characterization until 1968.[eight] Feller left ABC in 1965,[9] simply he returned to accommodate Charles' 1967 album, Ray Charles Invites You to Listen.[10] Joe Adams produced and engineered the album, which included "Here Nosotros Go Again".[10]

First released by Charles in 1967, "Hither We Go Once again" was written by Lanier and Steagall and published by the Dirk Music Visitor.[11] Charles recorded it at RPM International Studios, Los Angeles,[12] [13] and the song was listed as the sixth of ten tracks on Ray Charles Invites Y'all to Listen.[14] [15] [16] Starting in 1987, it was included in numerous greatest hits and compilation albums.[17] When Modern Sounds in Country and Western Music was reissued in 1988, the song was added every bit a bonus rails.[12] [13] It was also included on the 1988 album Ray Charles Anthology.[18]

Composition [edit]

Steagall endured polio as a teen and learned how to play the guitar and mandolin during his recuperation.[19] This activity helped him regain the use of his left arm and hand.[20] When he enrolled at West Texas State University, he formed his first country band.[19] Don Lanier formed a grouping past the name of The Rhythm Orchids along with Buddy Knox and Jimmy Bowen.[21] He was hired as a soil chemist but played weekends at country dances. After he quit his professional role, he formed a band that became popular in the Rocky Mount ski-resort clubs.[22] He moved to Los Angeles in 1965 and embarked on folk club performing and songwriting.[23] He wrote for two music publishers, Tree and Combine, earlier signing with Capitol Records.[22] Eventually, Steagall joined Lanier and Bowen. Steagall and Lanier co-wrote "Here We Go Again".[21] Steagall's first pause came when Charles covered "Here Nosotros Go Once more".[19] Steagall says that the song "came about in a very unusual manner and very quickly".[21] Ane source fifty-fifty claims that Steagall did not come to Hollywood until afterward Charles recorded the song.[24]

According to the sheet music published past Dirk Music, "Here Nosotros Go Again" is set up in 12/eight time with a irksome shuffle tempo of sixty-nine beats per minute. The song is written in the key of B ♭ major.[25] It is primarily a country song,[26] but contains gospel influences.[27] According to Matthew Greenwald of Allmusic, "'Here Nosotros Get Over again' is a soulful ballad in the Southern blues tradition. Lyrically, it has a resignation and pain that makes the blues, simply, what information technology is. The recording has a simple and sterling gospel organization and, in hindsight, is 1 of Charles' finer attempts in the studio from the 1960s."[28]

Performance history [edit]

The playlist of the 1967 bout promoting Ray Charles Invites You to Listen is not readily available, but "Here Nosotros Go Again" was the best-charting song on the album (and likely on the playlist). Charles' bout began with a benefit concert on the USS Constellation, which was preparing to depart for the Vietnam State of war from San Diego Harbor. The bout, Charles' outset since 1964, continued to Europe in mid-April where it visited the Royal Festival Hall, London and Salle Pleyel, Paris, as well as Vienna. In May, the ring played back in the United states at New York City's Carnegie Hall before returning to California. The tour received bad reviews from publications such as Jazz Journal, Jazz Mag and the New York Post. After that summer, the band played Constitution Hall, Washington, D.C. In the autumn, Charles had his first lucrative Nevada casino performances, which started with a three-week run at Harrah's Reno that was praised in Variety. The tour also had an extended fall run at New York's Copacabana nightclub.[29]

Reception [edit]

Greenwald described the original version of "Here We Go Again" as "Another fantabulous case of how Ray Charles was able to fuse dejection and country".[28] In a review for the single, a writer for Billboard magazine wrote that the song could easily be a "blockbuster" for Charles.[26]

The original version debuted at number 79 on the Billboard Hot 100 chart in the May 20, 1967, issue and number 48 on the US Billboard Hot Rhythm & Dejection Singles height l chart on June 10, 1967.[thirty] [31] For the weeks ending July 15, 22 and 29, the song spent 3 weeks at its peak position of number xv on the Hot 100 nautical chart.[32] [33] Information technology spent July 22 and 29 at its peak position of number 5 on the Hot Rhythm & Blues Singles chart.[34] [35] By August 12, it fell out the Hot 100 nautical chart, ending a 12-week run.[36] Information technology remained on the Hot Rhythm & Blues Singles chart for 13 weeks catastrophe on September 2.[37] [38] "Here Nosotros Go Again" was Charles' terminal unmarried to enter the peak xx of the Hot 100.[39] For the year 1967 the song finished at number eighty on the United states of america Billboard Year-End Hot 100 chart and 33 on the Twelvemonth-Cease Hot Rhythm & Blues Singles chart.[40]

Abroad, it debuted on the UK Singles Chart top 40 at number 38 on July 8, 1967, which would be its summit.[41] It totalled 3 non-consecutive weeks on the nautical chart.[42] [43] In kingdom of the netherlands, "Here We Become Again" appeared on the singles chart at number 10 on July 15, 1967, and later peaked at number three.[44]

Co-ordinate to Will Friedwald, this vocal is an instance of Charles vocalizing in what would ordinarily be a generally inapplicable manner for dramatic upshot past using a unlike voice than he had ever previously exhibited. He sang "... not just using the squeak—using a whole new kind of squeak, in fact—for additional coloring on the sidelines, but making it the heart of the affair, literally squeaking out the words and notes in harmony with the Raelettes" (his background singers).[ii]

Track listing [edit]

  • 7-inch unmarried [45]
  1. "Hither Nosotros Go Again" – 3:14
  2. "Somebody Ought to Write a Book Most It" – 3:02

According to Allmusic, the solo version is listed at lengths between 3:14 and iii:20 on diverse albums.[17]

Credits [edit]

Charles is credited every bit vocaliser and pianist with unknown accompaniment. Feller is credited for having arranged and conducted the recording. This is one of 2 songs on the album ("Yesterday" being the other) that in addition to being listed every bit ABC-Par ABC595 is credited as Dunhill DZS036 [CD].[46] The individual song had a label number ABC/TRC 10938.[47] [48] "In the Heat of the Nighttime" besides had a Dunhill credit but a different number for both Dunhill and ABC.[46]

Nancy Sinatra version [edit]

"Here Nosotros Go Again"
Black and white cover art photo of Nancy Sinatra on one elbow in a white dress. The border is purple as is some of the captioning. Caption says Nancy Sinatra in black. Side captions detail the record label and the song name in purple. The bottom caption has the B-side song name, "Memories".
Single past Nancy Sinatra
from the album Nancy
B-side "Memories"
Released 1969
Genre Country
Length 3:07
Characterization Reprise (#0821)
Songwriter(s) Don Lanier, Red Steagall
Producer(s) Billy Strange
Nancy Sinatra singles chronology
"God Knows I Love Yous"
(1968) 		"Here We Become Over again"
(1969) 		"Drummer Human being"
(1969)

Nancy Sinatra recorded a embrace of the song for her 1969 album Nancy, which was her first album afterwards ending her business human relationship with producer Lee Hazlewood.[49] The cover, which according to programming guides had an easy listening and country music entreatment,[50] was produced by Billy Strange.[51] [52] The B-side to the single, "Memories", was written past Strange forth with Mac Davis.[52] [53] Billboard magazine staff reviewed the song favorably, stating that the cover was a "smooth sing-a-long popular style".[52] They also commended Sinatra'south singing, calling information technology a "fine" performance, noting that it would likely return her to the Billboard charts.[52] Sinatra's version was later remastered and reissued in 1996.[54]

Chart performance [edit]

Although CD Universe describes the song as a country music song,[49] it never charted on land music charts. For the week catastrophe May 17, 1969, the song was listed among US Billboard Bubbling Under Hot 100 Singles nautical chart at number 106 and debuted on the US Billboard Easy Listening Top xl chart at number 30.[55] [56] The following week information technology debuted on the US Billboard Hot 100 chart at number 98,[57] its apex for its two-calendar week stay.[58] The vocal then spent a total of two weeks on the Hot 100.[59] For the week ending June 7, the song spent a second consecutive week at its elevation position of number 19 on the Like shooting fish in a barrel Listening chart.[60] The song remained on the chart for five weeks until June 14, 1969.[61] [62] In Canada "Here Nosotros Go Again" debuted at number 38 on the RPM Adult Contemporary chart (previously Young Adult Nautical chart) on June ii, 1969.[63] Information technology peaked at number 21 for the week of June sixteen, 1969.[64] The song spent a full of five weeks on the chart.[65] [66] According to Allmusic databases, 1969 was the final year in her career that Sinatra reached the Hot 100 chart (with "Here Nosotros Go Again", "God Knows I Love You" and "Drummer Man").[67]

Rail list [edit]

  • seven-inch vinyl single [53]
  1. "Here Nosotros Go Again" – three:07
  2. "Memories" – three:40

According to Allmusic the original rails was 3:09, only when it appeared on the 2006 compilation album Essential Nancy Sinatra, it was iii:eleven.[68] The single was initially released through Reprise Records. In a not-exclusive licensing understanding, Reprise (role of Warner Music) gave RCA Records the rights to distribute the records of some of their artists including Sinatra and Dean Martin.[69] In 1971, Sinatra and Reprise parted ways, and then she signed a long-term contract with RCA Records.[lxx]

Credits [edit]

The following musicians performed on this track:[51]

  • B.J. Baker Singers (backup vocals)
  • The Blossoms (fill-in vocals)

The following musicians performed on this album:[49]

  • Al Casey (guitar)
  • Jerry McGee (guitar)
  • Blood-red Rhodes (steel guitar)
  • Sid Sharp (violin, strings)
  • Jim Horn (flute)
  • Roy Caton (trumpet)
  • Don Randi (piano)
  • Jerry Scheff (bass guitar)
  • Carol Kaye (bass guitar)
  • Hal Blaine (drums)

Norah Jones and Ray Charles duet version [edit]

"Hither We Go Once again"
Single by Ray Charles and Norah Jones
from the album Genius Loves Company
Released January 31, 2005
Recorded RPM International Studio (Los Angeles)
Genre Pop
Length iii:59
Label Concord/Hear Music
Songwriter(due south) Don Lanier, Carmine Steagall
Producer(s) John R. Burk
Ray Charles singles chronology
"Mother"
(2002) 		"Here We Go Again"
(2005) 		"Yous Don't Know Me"
(2005)
Norah Jones singles chronology
"Those Sweet Words"
(2004) 		"Here We Get Over again"
(2004) 		"Thinking Virtually Yous"
(2006)

In 2004, Charles re-recorded "Hither We Become Once again" as a duet with American singer-songwriter Norah Jones, who grew up listening to his music.[71] During Jones' Billboard interview for her 2010 collaboration anthology ...Featuring, which included her "Here Nosotros Go Again" duet, she said "I got a call from Ray asking if I'd be interested in singing on this duets record. I got on the next airplane and I brought my mom. We went to his studio and did it live with the band. I sang it right next to Ray, watching his mouth for the phrasing. He was very sweet and put me at ease, which was great because I was petrified walking in there."[72] She noted in one ...Featuring interview that the merely part that was not done live was a piano overlay that she added afterwards to complement Charles' keyboard. In the same interview, she noted that she had been given the opportunity to select a vocal from Charles' songbook to perform as a duet and felt that this one provided the best opportunity to harmonize rather than alternate vocal verses.[73] On the record, the two singers vocalize,[74] accompanied by Billy Preston on Hammond organ,[75] [76] who had at once been the regular organist in Charles' ring.[71]

Reception [edit]

Equally function of Charles' Grammy Award for Album of the Year-winning Genius Loves Company, the song proved to be the about popular and critically acclaimed on the album. Although the song had its early detractors,[77] [78] it received by and large favorable reviews. Several reviewers noted the complementarity of Jones and Charles. The Daily Vault 's Jason Warburg described the vocal as a "jazzy, slinky pas de deux" in which Charles matches Jones annotation for annotation."[79] JazzTimes' Christopher Loudon said Charles "blends seamlessly with Jones on a velvet-and-buckram" performance.[80] The song was described by the Orlando Sentinel 's Jim Abbott equally a recreation of one of the gems from Charles' country music phase of the 1960s that produced the perfect "combination of voices and instruments" with Preston'south accompanying role on Hammond B3.[seven] Every bit opposed to other tracks on the album, when Charles' phonation was understated, this vocal was said to represent his "indomitable spirit", while Jones performed equally "an empathetic foil, [with] her warm, lazy vocals meshing convivially with his over a spare just funky arrangement".[71] Author Mike Evans wrote that "there'southward a mutual warmth of purpose in every jiff [Charles and Jones] take" on the song.[75] Music Week staff noted the timeliness of the release with the biographical flick Ray in theaters and described the song equally soulful, that finely combines Charles' "deep, honeyed growl with Jones'south lighter timber", while noting Preston for his "sweeping" organ work.[81]

The song received other specific forms of praise. Robert Christgau notes that Jones carried the vocal brunt every bit did many of Charles'southward duet partners on the album.[82] USA Today 'due south Steve Jones said the vocal "strikes an easy groove".[76] PopMatters' Kevin Jagernauth says "Jones nicely compliments Charles on this cute opening runway".[27] Preston'south performance was favorably described by The Washington Post 's Richard Harrington as "smoky".[71] Critic Randy Lewis from the Chicago Tribune noted that the song's "countrified anguish" represented that part of Charles' career.[83]

When the song was included on Jones' ...Featuring, which included three of her collaborations from Albums of the Year and several from albums that were nominees,[84] the vocal did non stand out. Few of the reviews at Metacritic had noun comments on the duet when included among her group of collaborations.[85] While reviewing ...Featuring, Jonathan Keefe of Slant Magazine wrote that the duet was a "more than staid and less compelling recording" on the album.[86] However, Allmusic staff noted that she worked comfortably with Charles and Chris Rizik of Soul Tracks said the track was more than only filler.[87] [88]

Awards and nominations [edit]

In December 2004, the Jones–Charles version of the song was nominated in two categories at the 47th Grammy Awards.[89] At the February 13, 2005 awards anniversary, the duet earned the award for Tape of the Year and Best Pop Collaboration with Vocals.[ninety] It was the second Tape of the Yr winner not to make the Hot 100 (following "Walk On" in 2001 by U2).[91] The song won Record of the Year, only not Vocal of the Year. Record of the Year is awarded to the artist(s), producer(due south), recording engineer(due south) and/or mixer(s), if other than artist for newly recorded textile. Song of the Year is awarded to the songwriter(s) of a new song or a song first achieving prominence during the eligibility year.[92] Steagall and Lanier are credited as the writers of this vocal from their work on its original version in 1967.[93] Thus, the song was not a new song.

Chart performance [edit]

African American performing at a keyboard in concert

Charles in July 2003, less than 11 months before his 2004 death

For the calendar week ending September 18, 2004, Genius Loves Company sold 202,000 copies, ranking second on the US Billboard 200 chart and becoming Charles' highest-charting album in over xl years. Digital singles sales saw 12 of the 13 tracks on the album make the US Billboard Hot Digital Tracks Top 50 nautical chart. "Hither Nosotros Go Again" was the download sales leader amongst the album's songs that totaled 52,000 digital downloads.[94] [95] During the week the anthology was released, the song debuted on the US Billboard Hot Digital Tracks chart at number 26.[96] "Here We Go Once more" fell out of the meridian 50 two weeks later.[97] It was released equally a single for digital download on Jan 31, 2005.[98] On May 22, 2019, the song was certified gilded by the Recording Industry Clan of America for shipments exceeding 500,000 units in the Usa.

After the album earned viii Grammy Awards and the song won Record of the Yr, sales picked up and the anthology was re-promoted.[99] "Here We Become Once more" entered the The states Billboard Bubbles Under Hot 100 chart at number 5 in the issue dated (for the week ending) February 26, 2005.[100] The song charted for a week on both the US Billboard Hot Digital Songs acme 75 at number 73 and the Us Billboard Popular 100 at number 74 for the week ending March 5, 2005, only still did non make the Hot 100,[101] ranking 113th before falling out of the chart.[48] However, it ascended to its Bubbling Under Hot 100 nautical chart meridian position of number two for the week ending March 5, 2005.[102] A compact disc single of the song was released on Apr 19, 2005.[103]

In Austria, the duet debuted on the Ö3 Republic of austria Top forty chart at number 53 on March 6, 2005, and peaked the following week at number 52. Information technology logged 6 weeks on the chart.[104] "Hither We Go Again" entered the French Singles Chart at number 54 on April two, 2005 and peaked one week later at number 51. It lasted 10 weeks on the meridian 100 chart.[105]

Track listing [edit]

  • CD single [103]
  1. "Here We Get Again" (Ray Charles and Norah Jones) – iii:59
  2. "Mary Ann" (Poncho Sanchez featuring Ray Charles) – 5:05
  3. "Interview With Norah Jones" – 1:35

According to Allmusic, the duet version was between 3:56 and three:59 on diverse albums.[17]

Credits [edit]

The song was recorded at RPM International Studio (Los Angeles), mixed at Capitol Studios and mastered at the Mastering Lab.[106]

Country nautical chart versions [edit]

Johnny Duncan charted a version of the song for Columbia Records that missed the Hot 100 chart. It debuted on the Hot Country Songs chart on September 30, 1972, peaking at number 66 and spending a total of five weeks on the nautical chart.[107] The song also spent 5 weeks on the Cashbox Land Singles Nautical chart, debuting on October 7, 1972, and peaking at number 61 three weeks later.[108]

In 1982, Roy Clark produced a version of the song on his Turned Loose album for Churchill Records that he performed on the Nov 6, 1982 (flavor 15, episode 9), episode of Hee Haw.[109] [110] It missed the Hot 100 chart, just information technology entered the Hot Country Songs chart for the week ending Oct thirty, 1982, at 88.[111] The song was 1 of merely two mentioned in the October 30, 1982, Billboard album review and was described as "a solid land number".[112] The song peaked at number 65 in the week ending November 27 and remained in the chart for two more weeks, making the full run seven weeks.[113] [114] The song besides spent seven weeks on the Cashbox Country Singles Chart, debuting on Nov 6, 1982, and peaking at number 61 for 2 weeks (Dec 4 and xi).[115]

Other versions and uses [edit]

Baton Vaughn covered "Here We Go Once more" on his 1967 Ode to Billy Joe instrumental anthology,[116] as did Dean Martin on his 1970 album My Woman, My Woman, My Wife.[117] Glen Campbell's version appeared on his 1971 album The Last Time I Saw Her,[118] Boil Arnold's on his 1972 anthology Lonely People,[119] and George Strait'southward on his 1992 album Holding My Own.[120] Steagall performed it with Reba McEntire on his 2007 Here We Go Over again album, just she did not include information technology on her 2007 duets album Reba: Duets, which was released 4 weeks subsequently.[121] [122] Their collaboration was favorably reviewed, and McEntire was said to reinvigorate this country standard by Nathalie Baret of ABQ Periodical.[123] Martin'due south version was 3:07, and information technology later appeared on compilation albums, starting with the 1996 Dean Martin Gold, Vol. ii. Information technology has appeared on a handful of other Martin compilation albums.[117] Campbell's version was simply 2:26.[118] Strait's version is 2:53 and appears after his 2004 Greatest Collection at a two:55 length.[120] Steagall's version with McEntire (who Steagall discovered at a 1974 canton fair)[123] [124] is 3:10.[125] R&B and boogie-woogie pianist and vocalizer Little Willie Littlefield recorded a version for his 1997 album The Ruby I.[126] [127] Peters and Lee made a version of the vocal on their 1976 on their Serenade album.[128] Joe Dolan produced a 1972 single of the song[129] that he included on his 1976 album Gilded Hour Of Joe Dolan Vol. ii and several of his greatest hits albums.[130] [131]

Willie Nelson and Wynton Marsalis, along with Norah Jones, performed two concerts at Lincoln Heart's Rose Theatre on February 9 and 10, 2009. A 2011 alive tribute anthology by Nelson and Marsalis featuring Jones entitled Hither We Go Again: Celebrating the Genius of Ray Charles was recorded on these ii alive dates. The anthology, which was released on March 29, 2011, included a runway entitled "Hither We Go Over again".[132] [133] The vocals on "Hither We Get Again" were performed by Jones and Nelson, while instrumental support was provided by Marsalis (trumpet), Dan Nimmer (piano), Mickey Raphael (harmonica), Walter Blanding (tenor saxophone), Carlos Henriquez (bass) and Ali Jackson (drums and percussion).[93] The song, which had a length of 5:ten, was arranged by Andy Farber and performed in a rhythm and blues 12/8 shuffle.[93] BBC music reviewer Nib Tilland noted that Jones added her usual "mode and panache" to this performance.[134] At one concert functioning, The New York Times critic Nate Chinen felt the song sounded unrehearsed.[135] Although critique of this track is sparse, Popular Matters 'south Will Layman notes that the album reveals "how decisive and strong Jones sounds while singing with a truly legitimate jazz grouping" and how Nelson predictably "breezes through his tunes with cavalier grace". Meanwhile, he praises the professional person mastery of Marsalis' quintet.[136] Tilland too notes that on the anthology Marsalis' band "compensates quite adequately for occasional lacklustre vocals."[134]

George Strait's country music version was performed with the instrumental support of Joe Chemay (bass guitar), Floyd Domino (piano), Buddy Emmons (steel guitar), Steve Gibson (acoustic guitar), Johnny Gimble (fiddle), Jim Horn (saxophone, alto flute), Larrie Londin (drums), Liana Manis (groundwork vocals), Curtis Young (background vocals), and Reggie Young (electric guitar). The anthology was produced past Jimmy Bowen and Strait.[137] In 1992 Entertainment Weekly 's Alanna Nash regarded the album as Strait's "about hard-cadre state anthology" up to that signal in his career.[138] Allmusic staff noted that the album held its own at the time of release confronting about of its competitors and has anile meliorate than about country music albums.[139] Ralph Novak, Lisa Shea, Eric Levin, and Craig Tomashoff of People said the album represents the most straightforward mode of singing.[140] The iTunes Store describes the anthology as the outcome of a transition in eras of country music.[141]

The song plays during the opening credit dance by Franz (Harry Baer) and Margarethe (Margarethe von Trotta) in Rainer Werner Fassbinder'southward 1970 moving picture Gods of the Plague.[142] [143] However, the vocal was on neither the eponymous soundtrack for the 2004 film Ray nor the limited edition additional soundtrack album More Music From Ray.[144] [145]

Notes [edit]

  1. ^ Charles & Ritz 2004, pp. 196–97.
  2. ^ a b Friedwald, Will (2010). A Biographical Guide to the Great Jazz and Pop Singers. Pantheon Books. pp. 78–fourscore. ISBN978-0375421495.
  3. ^ Charles & Ritz 2004, p. 222.
  4. ^ Charles & Ritz 2004, p. 223.
  5. ^ Charles & Ritz 2004, p. 248.
  6. ^ Lydon 1998, pp. 213–16.
  7. ^ a b Abbott, Jim (August 31, 2004). "Distinctive Sound Of Genius: Music Review: The Terminal Album From Ray Charles Isn't Stellar, But Information technology's A Pleasant Listening Experience Just The Aforementioned". Orlando Sentinel. Tribune Company. Retrieved May 13, 2011.
  8. ^ Charles & Ritz 2004, p. 354.
  9. ^ Lydon 1998, p. 260.
  10. ^ a b Lydon 1998, p. 268.
  11. ^ "Here We Go Again (Legal Title)". Broadcast Music Incorporated. Archived from the original on July 19, 2012. Retrieved May 8, 2011.
  12. ^ a b "Ray Charles – Modern Sounds in Country and Western Music". Discogs. Retrieved May 8, 2011.
  13. ^ a b Modern Sounds in Land and Western Music (Meaty disc liner). Ray Charles. Los Angeles, California: Rhino Entertainment Company. 1988. R2 70099. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  14. ^ Edwards, David, Patrice Eyries and Mike Callahan (August v, 2004). "Tangerine Album Discography". Both Sides Now Publications. Retrieved May 8, 2011. {{cite web}}: CS1 maint: multiple names: authors list (link)
  15. ^ "Ray Charles Invites Yous to Heed -..." Billboard. Prometheus Global Media. Retrieved May eight, 2011.
  16. ^ "Ray Charles Invites You To Listen". Retrieved May 8, 2011.
  17. ^ a b c "Here Nosotros Become Over again". Allmusic. Rovi Corporation. Retrieved May 8, 2011.
  18. ^ Whitburn, Joel (2006). The Billboard Albums (6th ed.). Tape Enquiry. pp. 191–192. ISBN0-89820-166-seven.
  19. ^ a b c Carlin, Richard (2002). Land Music: A Biographical Dictionary. Routledge. p. 385. ISBN0415938023.
  20. ^ Woodstra, Chris; Stephen Thomas Erlewine; Vladimir Bogdanov; Michael Erlewine, eds. (1997). All Music Guide to State: The Experts' Guide to the Best Land Recordings. Backbeat Books. p. 447. ISBN0879304758.
  21. ^ a b c Jameson, West. C. (2008). Notes from Texas: on writing in the Solitary Star Country. Texas Christian University Press. pp. 208–9. ISBN978-0875653587.
  22. ^ a b Shestack, Melvin (1974). The Country Music Encyclopedia . Thomas Y. Crowell Company. p. 265. ISBN0-690-00442-7.
  23. ^ Larkin, Colin (1998). The Virgin encyclopedia of state music. Virgin Publishing. p. 405. ISBN0753502364.
  24. ^ Kingsbury, Paul, ed. (2004). The Encyclopedia of Land Music: The Ultimate Guide to the Music. Oxford University Press. pp. 505–half dozen. ISBN0195176081.
  25. ^ "Ray Charles – Hither We Go Again Sheet Music". Musicnotes.com. Dirk Music. February 14, 2005. Retrieved May 9, 2011.
  26. ^ a b "Top 60 Spotlights". Billboard. Nielsen Business Media, Inc. 79 (18): xx. May 6, 1967. ISSN 0006-2510. Retrieved May 8, 2011.
  27. ^ a b Jagernauth, Kevin (August 31, 2004). "Ray Charles". PopMatters. PopMatters Media, Inc. Retrieved May 12, 2011.
  28. ^ a b "Here Nosotros Go Again: Ray Charles". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  29. ^ Lydon 1998, pp. 268–72.
  30. ^ "Hot 100: For week catastrophe May 20, 1967". Billboard. Nielsen Concern Media, Inc. 79 (xx): 20. May xx, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  31. ^ "Top Selling R & B Singles: Billboard Special Survey for calendar week ending June 10, 1967". Billboard. Nielsen Business organisation Media, Inc. 79 (23): thirty. June 10, 1967. ISSN 0006-2510. Retrieved May eight, 2010.
  32. ^ "Hot 100: For week catastrophe July 22, 1967". Billboard. Nielsen Business organization Media, Inc. 79 (29): 24. July 22, 1967. ISSN 0006-2510. Retrieved May viii, 2010.
  33. ^ "Hot 100: For calendar week ending July 29, 1967". Billboard. Nielsen Business Media, Inc. 79 (30): 22. July 29, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  34. ^ "Meridian Selling R & B Singles: Billboard Special Survey for week catastrophe July 22, 1967". Billboard. Nielsen Business Media, Inc. 79 (29): 34. July 22, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  35. ^ "Tiptop Selling R & B Singles: Billboard Special Survey for week ending July 29, 1967". Billboard. Nielsen Business organisation Media, Inc. 79 (xxx): 30. July 29, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  36. ^ "Hot 100: For week catastrophe August 12, 1967". Billboard. Nielsen Business Media, Inc. 79 (32): 24. Baronial 12, 1967. ISSN 0006-2510. Retrieved May eight, 2010.
  37. ^ "Hot 100: For week ending September two, 1967". Billboard. Nielsen Concern Media, Inc. 79 (35): 39. September two, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  38. ^ "Top Selling R&B Singles: Billboard Special Survey for week catastrophe September ix, 1967". Billboard. Nielsen Business Media, Inc. 79 (36): 39. September 9, 1967. ISSN 0006-2510. Retrieved May 8, 2010.
  39. ^ Evans 2005, p. 209.
  40. ^ "Top Records of 1967 (Based on Billboard Charts)". Billboard. Nielsen Business Media, Inc. 79 (52): 42. December 30, 1967. ISSN 0006-2510. Retrieved May 9, 2011.
  41. ^ "Top 40 Official United kingdom of great britain and northern ireland Singles Archive: eighth July 1967". Official Charts Company. Retrieved May viii, 2011.
  42. ^ "Here We Go Again". Official Charts Company. Retrieved May eight, 2011.
  43. ^ "Ray Charles". The Official Charts Visitor. Archived from the original on February 4, 2013. Retrieved May nine, 2011.
  44. ^ "Ray Charles – Here We Go Again". Dutchcharts.nl. Hung Medien. Retrieved May 9, 2011.
  45. ^ Hither We Go Once again (7-inch vinyl single). Ray Charles. Los Angeles, California: ABC. 1967. 45-10938. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  46. ^ a b Lord, Tom (1992). The Jazz Discography. Vol. four. Lord Music Reference Inc. p. C253. ISBN1-881993-03-5.
  47. ^ Whitburn, Joel (2006). The Billboard Book of Tiptop forty R&B And Hip-Hop Hits. Billboard Books. p. 99. ISBN0-8230-8283-0.
  48. ^ a b Whitburn, Joel (2009). Superlative Popular Singles (twelfth ed.). Nielsen Business Media. p. 179. ISBN978-0-89820-180-2.
  49. ^ a b c "Nancy Sinatra – Nancy CD". CD Universe. Retrieved August 6, 2011.
  50. ^ "Programming Aids". Billboard. Nielsen Business Media, Inc. 81 (21): thirty. May 24, 1969. ISSN 0006-2510. Retrieved May x, 2011.
  51. ^ a b Sinatra, Nancy (1969). Nancy (Vinyl). Nancy Sinatra. Germany: Reprise. RS 6333.
  52. ^ a b c d "Special Merit Spotlight". Billboard. Nielsen Business organization Media, Inc. 81 (16): 77. April 19, 1969. ISSN 0006-2510. Retrieved May nine, 2011.
  53. ^ a b Here Nosotros Go Over again (7-inch vinyl unmarried). Nancy Sinatra. Canada: Reprise. 1969. 0821. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  54. ^ "Nancy [Original recording reissued, Original recording remastered]". Retrieved May 9, 2011.
  55. ^ "Bubbling Under The Hot 100". Billboard. Nielsen Business organisation Media, Inc. 81 (20): 82. May 17, 1969. ISSN 0006-2510. Retrieved May nine, 2011.
  56. ^ "Billboard Height twoscore Like shooting fish in a barrel Listening". Billboard. Nielsen Business Media, Inc. 81 (20): 73. May 17, 1969. ISSN 0006-2510. Retrieved May 9, 2011.
  57. ^ "Billboard Hot 100 For Calendar week Ending May 24, 1969". Billboard. Nielsen Business Media, Inc. 81 (21): 58. May 24, 1969. ISSN 0006-2510. Retrieved May 9, 2011.
  58. ^ Whitburn, Joel (2009). Top Pop Singles (12th ed.). Nielsen Business concern Media, Inc. p. 894. ISBN978-0-89820-180-2.
  59. ^ "Charts Search". Billboard. Nielsen Business Media, Inc. Retrieved May 9, 2011.
  60. ^ "Billboard Top forty Easy Listening". Billboard. Nielsen Business Media, Inc. 81 (23): 64. June 7, 1969. ISSN 0006-2510. Retrieved May ix, 2011.
  61. ^ "Billboard Elevation 40 Easy Listening". Billboard. Nielsen Business Media, Inc. 81 (24): 74. June 14, 1969. ISSN 0006-2510.
  62. ^ "Billboard Top 40 Easy Listening". Billboard. Nielsen Business Media, Inc. 81 (25): 82. June 21, 1969. ISSN 0006-2510.
  63. ^ "RPM Young Adult". RPM. RPM Music Publications. xi (14). June 2, 1969. ISSN 1196-6351. Archived from the original on Oct 22, 2012. Retrieved May 17, 2011.
  64. ^ "RPM Young Developed". RPM. RPM Music Publications. 11 (sixteen). June sixteen, 1969. ISSN 1196-6351. Archived from the original on October 23, 2012. Retrieved May 17, 2011.
  65. ^ "RPM Young Developed". RPM. RPM Music Publications. eleven (17). June 23, 1969. ISSN 1196-6351. Archived from the original on October 22, 2012. Retrieved May 17, 2011.
  66. ^ "RPM Immature Developed". RPM. RPM Music Publications. 11 (18). June thirty, 1969. ISSN 1196-6351. Archived from the original on October 22, 2012. Retrieved May 17, 2011.
  67. ^ "Nancy Sinatra: Billboard Singles". Allmusic. Rovi Corporation. Retrieved May nine, 2011.
  68. ^ "Here We Go Again: Nancy Sinatra". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  69. ^ "WB-seven line to RCA's Social club". Billboard. Nielsen Business concern Media, Inc. fourscore (17): 11. April 27, 1968. ISSN 0006-2510. Retrieved May 14, 2011.
  70. ^ Haber, Joyce (Oct 13, 1971). "'Funny Confront' Sandy Has Great Rating, Marital Dissever". Sarasota Journal. Lindsay Newspapers Inc. p. xix. Retrieved May 14, 2011.
  71. ^ a b c d Harrington, Richard (September ane, 2004). "From the Genius, Last Gleamings at Twilight". The Washington Post. p. C1. Retrieved May 13, 2011.
  72. ^ "'Featuring' Norah Jones Track-Past-Track". Billboard. Prometheus Global Media. November ten, 2010. Retrieved May viii, 2011.
  73. ^ "Norah Jones – Here We Go Again (...Featuring) ft. Ray Charles". Artist Directly. Rogue Digital, LLC. Retrieved Baronial 6, 2011.
  74. ^ Concepcion, Pocholo (February 22, 2005). "Genius Loves Visitor". Philippine Daily Inquirer. Philippine Daily Inquirer, Inc. Retrieved May 13, 2011.
  75. ^ a b Evans 2005, p. 278.
  76. ^ a b Jones, Steve (August thirty, 2004). "Charles' final notes are 'Genius'". USA Today. Gannett Company, Inc. Retrieved May 12, 2011.
  77. ^ Printz, Larry (September 4, 2004). "Ray Charles 'Genius Loves Visitor'". The Morn Call. Tribune Company. Retrieved May 13, 2011.
  78. ^ Farber, Jim (August 31, 2004). "His Musical 'Genius,' Paired Down". New York Daily News. Mortimer Zuckerman. Retrieved May xiii, 2011.
  79. ^ Warburg, Jason (August 31, 2004). "Genius Loves Company". The Daily Vault. Jason Warburg and The Daily Vault. Retrieved May 12, 2011.
  80. ^ Loudon, Christopher (September 2004). "Ray Charles: Genius Loves Visitor". JazzTimes. JazzTimes. Archived from the original on June 25, 2012. Retrieved May 12, 2011.
  81. ^ "Reviews: Records released 31.01.05: Ray Charles with Norah Jones". Music Week. United Business organisation Media: 37. January 22, 2005. ISSN 0265-1548.
  82. ^ Christgau, Robert (September 2004). "Robert Christgau: Dean of American Rock Critics". Robertchristgau.com. Retrieved May 12, 2011.
  83. ^ Lewis, Randy (September 3, 2004). "Ray Charles is in practiced visitor on final CD". Chicago Tribune. Tribune Company. Retrieved May 13, 2011.
  84. ^ Dezeme (Apr 26, 2011). "Music Review: Norah Jones – ...Featuring". Seattle Post Intelligencer. Hearst Corporation. Retrieved May xiii, 2011.
  85. ^ "...Featuring Norah Jones – Norah Jones". CBS Interactive. Nov 16, 2010. Retrieved May 13, 2011.
  86. ^ Keefe, Jonathan (Nov 14, 2010). "Norah Jones: ...Featuring Norah Jones". Camber Magazine. Camber Magazine. Retrieved May 8, 2011.
  87. ^ "...Featuring Norah Jones". Allmusic. Rovi Corporation. Archived from the original on Dec 18, 2010. Retrieved May 13, 2011.
  88. ^ Rizik, Chris (October 29, 2010). "Norah Jones – ...Featuring (Advance Review) (2010)". Soul Tracks. Soul Tracks. Retrieved May 13, 2011.
  89. ^ "Grammy Award nominees in top categories". USA Today. Gannett Company, Inc. Feb 7, 2005. Retrieved May eleven, 2011.
  90. ^ "Past Winners Search". The Recording Academy. Retrieved July 23, 2011.
  91. ^ Abrams, Todd. "Here We Get Once more for the First Fourth dimension". Billboard. Nielsen Business Media, Inc. Retrieved August 2, 2011.
  92. ^ "52nd OEP Category Description Guide" (PDF). Grammy.com. Archived from the original (PDF) on October 27, 2009. Retrieved May 10, 2011.
  93. ^ a b c Here We Become Again: Celebrating the Genius of Ray Charles (booklet). Willie Nelson and Wynton Marsalis featuring Norah Jones. New York Metropolis: Blue Note Records. 2011. pp. 3–iv. 509990 96388 two 2. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  94. ^ Pietroluongo, Silvio, Minal Patel and Wade Jessen (September eighteen, 2004). "'Bowling' For a Chart Quantum". Billboard. Nielsen Business Media, Inc. 116 (38): 72. ISSN 0006-2510. Retrieved May 10, 2011. {{cite journal}}: CS1 maint: multiple names: authors list (link)
  95. ^ "September 18, 2004 Billboard Hot Digital Tracks". Billboard. Nielsen Business organization Media, Inc. 116 (38): 73. September 18, 2004. ISSN 0006-2510. Retrieved May 10, 2011.
  96. ^ Mayfield, Geoff (September eighteen, 2004). "Over The Counter". Billboard. Nielsen Business concern Media, Inc. 116 (38). ISSN 0006-2510. Retrieved May 8, 2011.
  97. ^ "October two, 2004, Billboard Hot Digital Tracks". Billboard. Nielsen Business Media, Inc. 116 (40): 57. October 2, 2004. ISSN 0006-2510. Retrieved May 8, 2011.
  98. ^ "Hither We Go Once again – Unmarried". iTunes Store. Apple tree Inc. Archived from the original on November 12, 2012. Retrieved May nine, 2011.
  99. ^ Williams, Paul (February 26, 2005). "Eight Awards Spark 120% Sales Hike For Duets Album: Grammy Haul Sends Charles Upward Great britain Chart". Music Calendar week. United Business Media: 5. ISSN 0265-1548.
  100. ^ "Billboard: Other Charts". Billboard. Nielsen Business Media, Inc. 117 (9). February 26, 2005. ISSN 0006-2510.
  101. ^ Mayfield, Geoff (March 5, 2005). "March v, 2005 Billboard Hot Digital Songs/March five, 2005 Billboard Pop 100". Billboard. Nielsen Business Media, Inc. 117 (10). ISSN 0006-2510. Retrieved May 8, 2011.
  102. ^ "Billboard: Other Charts". Billboard. Nielsen Business Media, Inc. 117 (ten). March v, 2005. ISSN 0006-2510.
  103. ^ a b "Here We Go Again [Single, Enhanced, Import]". Retrieved May 9, 2011.
  104. ^ "Ray Charles with Norah Jones – Here Nosotros Go Again". Austriancharts.at. Hung Medien. Retrieved May nine, 2011.
  105. ^ "Ray Charles with Norah Jones – Here We Go Again". Lescharts.com. Hung Medien. Retrieved May 9, 2011.
  106. ^ Doe, John (2004). Genius Loves Visitor (booklet). Ray Charles. Beverly Hills, CA: Hear Music/Concord Records. p. iv. CCD-2248-2.
  107. ^ Whitburn, Joel (July 31, 1995). Joel Whitburn's Height Country Single . Tape Research. ISBN9780793550135.
  108. ^ Albert and Hoffmann, p. 101.
  109. ^ "Billboard 's Top Single Picks (for the week ending 10/9/82)". Billboard. Nielsen Concern Media, Inc. 94 (xl): 63. October nine, 1982. ISSN 0006-2510. Retrieved June v, 2012.
  110. ^ "Hee-Haw Season xv, Episode 9, Aired November 06, 1982". TV.com. Retrieved June 5, 2012.
  111. ^ "Billboard Hot Country Singles (Survey for week catastrophe 10/30/82)". Billboard. Nielsen Business Media, Inc. 94 (43): 44. October xxx, 1982. ISSN 0006-2510. Retrieved June 5, 2012.
  112. ^ "Billboard Top Anthology Picks (Survey for week ending 10/thirty/82)". Billboard. Nielsen Business organization Media, Inc. 94 (43): 64. October xxx, 1982. ISSN 0006-2510. Retrieved June five, 2012.
  113. ^ "Billboard Hot Country Singles (Survey for week catastrophe 11/27/82)". Billboard. Nielsen Concern Media, Inc. 94 (47): 45. Nov 27, 1982. ISSN 0006-2510. Retrieved June 5, 2012.
  114. ^ "Billboard Hot Land Singles (Survey for week catastrophe 12/11/82)". Billboard. Nielsen Business concern Media, Inc. 94 (49): 48. December 11, 1982. ISSN 0006-2510. Retrieved June 6, 2012.
  115. ^ Albert and Hoffmann, p. 67.
  116. ^ "Billy Vaughn – Ode To Billy Joe". Discogs. Retrieved May x, 2011.
  117. ^ a b "Here Nosotros Go Over again: Dean Martin". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  118. ^ a b "The Final Fourth dimension I Saw Her: Glen Campbell". Allmusic. Rovi Corporation. Retrieved May x, 2011.
  119. ^ "Solitary People: Eddy Arnold". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  120. ^ a b "Here We Go Over again: George Strait". Allmusic. Rovi Corporation. Retrieved May ten, 2011.
  121. ^ "Hither We Go Again". Retrieved May 14, 2011.
  122. ^ "Reba Duets". Retrieved May 14, 2011.
  123. ^ a b Baret, Nathalie (Baronial 17, 2007). "Review; Red Steagall". ABQ Journal. ABQ Periodical. Retrieved May 17, 2011.
  124. ^ "Reviews". Cashbox. Cashbox Magazine, Inc. Archived from the original on September 18, 2010. Retrieved May x, 2011.
  125. ^ "Here Nosotros Become Again: Cherry-red Steagall". Allmusic. Rovi Corporation. Retrieved May 10, 2011.
  126. ^ "The Cherry One". Last.FM. Retrieved March 27, 2013.
  127. ^ "The Red One: Little Willie Littlefield". iTunes. Archived from the original on March 5, 2016. Retrieved March 27, 2013.
  128. ^ "Peters & Lee – Hither We Get Again (song)". Italiancharts.com . Retrieved March 6, 2019.
  129. ^ "Joe Dolan – Hither We Go Again". Discogs. Retrieved March 6, 2019.
  130. ^ "Joe Dolan: Here We Go Again". Allmusic. Retrieved March half-dozen, 2019.
  131. ^ "Joe Dolan – Here We Go Again (song)". Italiancharts.com . Retrieved March half dozen, 2019.
  132. ^ Oquist, Kenneth E. (April 1, 2011). "'Here We Get Over again': Live Ray Charles Tribute from Willie Nelson, Wynton Marsalis, and Norah Jones". A&E Playground. Retrieved May viii, 2011.
  133. ^ "Here We Become Over again: Celebrating the Genius of Ray Charles". WillieNelson.com. Archived from the original on May xxx, 2011. Retrieved March 22, 2011.
  134. ^ a b Tilland, Beak (March 23, 2011). "Marsalis and Nelson join forces one time more, with assist from Norah Jones". British Broadcasting Corporation. Retrieved August 5, 2011.
  135. ^ Chinen, Nate (Feb 10, 2009). "Much Contumely, a Bit of Twang and Plenty of Ray Charles". The New York Times . Retrieved August 6, 2011.
  136. ^ Layman, Will (April ane, 2011). "Willie Nelson and Wynton Marsalis featuring Norah Jones: Hither Nosotros Go Again". PopMatters. PopMatters Media, Inc. Retrieved August 5, 2011.
  137. ^ Belongings My Own (booklet). George Strait. Universal Metropolis, CA: MCA Records. 1992. pp. iii–four. MCAD 10532. {{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  138. ^ Nash, Alanna (May 15, 1992). "Music Review: Holding My Ain". Amusement Weekly. Time Warner. Retrieved August 5, 2011.
  139. ^ "Holding My Ain: George Strait". Allmusic. Rovi Corporation. Retrieved Baronial five, 2011.
  140. ^ Novak, Ralph, Lisa Shea, Eric Levin, and Craig Tomashoff (June 8, 1992). "Picks and Pans Review: Belongings My Ain". People. Fourth dimension Inc. Retrieved August five, 2011. {{cite web}}: CS1 maint: multiple names: authors list (link)
  141. ^ "Holding My Own: George Strait". iTunes Store. Apple Inc. Retrieved August 5, 2011.
  142. ^ Steadman Watson, Wallace (1996). Agreement Rainer Werner Fassbinder: Film As Individual and Public Fine art . Academy of South Carolina Press. p. 76. ISBN1570030790. Gods of the Plague Here We Go Again.
  143. ^ Bryson, Norman, Michael Ann Holly, and Keith P. F. Moxey (1994). Visual Culture: Images and Interpretations. Wesleyan. p. 278. ISBN081956267X. {{cite book}}: CS1 maint: multiple names: authors list (link)
  144. ^ "Ray Soundtrack CD". CD Universe. Retrieved June 6, 2012.
  145. ^ "More Music from Ray Soundtrack CD". CD Universe. Retrieved June 6, 2012.

Bibliography [edit]

  • Albert, George; Frank Hoffmann (1984). The Cash Box Country Singles Charts 1958–1982. Scarecrow Printing, Inc. ISBN0-8108-1685-7.
  • Charles, Ray; Ritz, David (2004). Brother Ray: Ray Charles' Own Story (Third Da Capo Press ed.). Da Capo Press. ISBN0-306-81431-5.
  • Lydon, Michael (1998). Ray Charles: Human being and Music . Riverhead Books. ISBNone-57322-132-5.
  • Evans, Mike (2005). Ray Charles: The Nativity of Soul. Omnibus Press. ISBN978-ane-84449-764-5.

whitewitiet50.blogspot.com

Source: https://en.wikipedia.org/wiki/Here_We_Go_Again_(Ray_Charles_song)

0 Response to "Here We Grow Again Eau Claire"

Post a Comment

Subscribe to: Post Comments (Atom)

Iklan Atas Artikel

Iklan Tengah Artikel 1

Iklan Tengah Artikel 2

Iklan Bawah Artikel